Re-Boot

Just an update really – plenty going on at the moment. Brian the Barrington Bear is coming out this Friday in eBook, soft cover and hardback. Will post everything you need to know here on Friday! And I’ve recently heard that a piece I submitted to Moxy Magazine will be published. It’s all about an imaginary airport of your dreams and nightmares, plane crashes and ‘boneyard’ wrecks. Again, details will be posted here on publication.

Meanwhile I’ve tidied this site up – in the early days it was used for my political blog when I stood for parliament – I’ve left a couple of posts there for interest’s sake…

Prizewinning Entry: Heathrow 70 Competition

In the 70s, my brother and I were… planespotters. Home was near Windsor, and during the holidays we’d pester our mother to take us there to catch the 727 Green Line to Heathrow. She probably didn’t mind, two boys out of her hair all day. In our bags went our tools – binoculars, log books and air band radio, which could be useful if we couldn’t read the plane’s number on the fuselage.

The radio looked like any other but alongside the usual medium and long wave you could listen to conversations between the pilots and air traffic control on VHF. So if you missed ‘copping’ a number with the binoculars, you might hear the pilot speaking to the tower.
Also into the plane spotting kitbag went a packed lunch. A cheese sandwich, a bottle of Cresta (it’s frothy, man) and a banana, which made the cheese sandwich taste of banana too, especially if it was a hot day and we let everything mush up in the bottom of the bag.
They called them Green Line Coaches, but really it was just a single decker bus. Once we got there, we’d go to the Queen’s Building, a labyrinthine rooftop terrace between Terminals One and Two.
The Queen’s Building was a remnant of an earlier age of innocence, where the plane spotters were outnumbered by friends and families waving off or welcoming travellers. Those expecting passengers would wait until they saw the correct plane touch down, often with the guidance of a friendly spotter, and then they’d rush down to the terminal to be in place to greet their people before they’d collected their baggage and come through passport control.
But as we passed whole days on the terraces, we lived and breathed planes. Not just looking at them, but reeling in the throb and rumble as the planes landed and took off. Landing, thrust reversers screeched as pilots urged their aircraft to a stop. Taking off they’d make even more noise, every inch of throttle needed to get a hundred ton metal tube into the air. And the smell – a pervasive fug of burnt kerosene.
And why do I say seaside pier, in the middle of an airport? Well, there were little cafes and shops, and photo and recording booths. It was a rare day that we didn’t take home a set of mugshots of us pulling faces or a cheap piece of vinyl recording some unlistenable din we’d made. There was a camaraderie among the planespotters, and if someone missed spotting a number someone else would volunteer the info.
I regularly use Heathrow now for business trips to Ireland, and while I’m waiting for the plane to Cork I probably sit in much the same place sipping my moccachino from the Eat concession as I did when I trained my binoculars on the runway. I watch the planes, but I don’t write down any numbers, from inside what is now known as the Queen’s Terminal.

David Bowie, you’re sorely missed.

This is the piece I wrote shortly after his death two years ago. It was longlisted for the Fish Short Memoir Prize.

Ashes to Ashes
Dead things come in threes. Monday, it had been David Bowie; Thursday Alan Rickman, then on the Friday morning…
Like I did every day, soon after 8am I put the dog on his lead and opened the front door; there at the top of the steps to the front gate was a dead cat. I knew it was dead the moment I saw it. I nudged the dog back in the house, found a suitable box and placed the cat in it, and then put the box in the safety of the garage while we sorted out what to do next.
I’d had David Bowie in my head all that week. I was pole-axed by his death, and the whole day passed in a cotton-wool smudge of Bowie records, memories and introspection. The poor cat put me right back there, and made me think of the Bowie theme song to Cat People. The film may not have been an Oscar contender, but the song was good, written with disco legend Giorgio Moroder. Cat People. A movie full of cats and dead people. People and dead cats.
I discovered Bowie when I was fourteen. As a young teenager I was rather pompous (not for the last time, I hear you say), and had decided pop music was something that I should grow out of. I was dismissive of my younger brother’s interest, and was attempting to convince myself that now I preferred classical music. All that changed the first time I heard that riff pumping out of the car radio on the way to school. Der-der-der duh-duh-duh, der-der-der duh-duh-duh. The Jean Genie, let yourself go! And I did.
From that moment on, I was a Bowie Freak. That’s what we called ourselves, not Bowie fans. We were freaks, and proud of it. “Are you a Bowie freak?” “Yeah, are you?” “Yeah.” That was it. Friends for life. As the comedian Bob Mortimer’s been saying for a while, if you want to know if it’s worth continuing a conversation with someone at a party, just ask them if they like Bowie. If they don’t, walk away.
I was too young to have seen Ziggy Stardust live, but I set about buying the back catalogue (even the re-released ‘Images 1966-67’ with Antony Newley-esque songs like the excruciating Laughing Gnome) and immersing myself in everything Bowie. I tried to look like him too, as far as school rules permitted. We weren’t allowed to dye our hair, but I washed it in henna every day, which gave it a vague red tinge you could just about spot in bright sunlight. I went for the feather cut, growing it as long at the back as I could get away with. I tried to make the top and front stick up, but I never achieved David’s spiky heights. I wore black platform shoes under my voluminous grey flannel flares. I was so skinny I nearly blew over in the wind at the best of times; with my four inch heels I was a safety hazard. We had to wear a white shirt and tie, but my shirts had massive collars and my ties were all pinks, purples and oranges, tied in a double knot.
One school holidays, I bought the single Rebel Rebel. It was to feature on Diamond Dogs, but the album hadn’t come out yet. My brother bought Pink Floyd’s Dark Side of the Moon at the same time. We shared a bedroom and had a cheapo copy Dansette record player. A big red case with the amplifier in the bottom; it opened up to reveal the record deck and the top divided into two loudspeakers. One turntable, two new records – it was war. I was the bigger, older brother so I won, and the Rebel riff rang out from the feeble speakers – “You’re not sure if you’re a boy or a girl”.
But I had discovered the person I wanted to be. If not myself, Bowie wasn’t a bad option. It came at a handy point in my life. I was starting to fancy girls, but I just didn’t have a clue what to do. Okay, that’s from a song by contemporaries The Sweet, not David Bowie. But as he was for a lot of adolescents growing up discovering their sexuality, Bowie was there for me. I got some stick from the other boys but it was nothing compared to the bullying I’d had at prep school, and if anything I took pride in doing the peacock strut and being noticed. It was all OK, because I was going to be a rock and roll star, and David the Starman, waiting in the sky, was watching over me. They even gave me the nickname ‘Mini Bowie’ for a while; that was just fine.
Like a lot of Bowie fans, I was devastated when David killed off Ziggy Stardust, or as he put it in the song lyrics, when the kids had killed the man and he had to break up the band. And my desolation turned to horror when Bowie re-emerged as a white soul boy in his Young Americans phase. How could he do that? We were the freaks, the androgynous glamrockers, white and pale? But it was Bowie. He still looked amazing, fusing Hamlet and Major Tom as he sat up in a crane wearing an ermine cape and holding a skull in one hand, the mike in the other. So we bought the record. And of course we grew to love it, and all night, we were the Young Americans, until it was time to be The Thin White Duke. Or the Man Who Fell to Earth – he could act, as well! We thought so anyway, although it’s true he didn’t have to stretch too far to play the alien.
Bowie left his bisexual androgyny behind him, but I discovered there was a market for effete young men like myself, who were just gay enough. Boys who liked to be in a girl’s bedroom while they put their make-up on.
I finally got to see my hero for real at Earls Court on the Station to Station tour; I’d already seen the pictures so I knew how to dress – black trousers and waistcoat, open necked white shirt, and a pack of Gitanes stuck in the waistcoat pocket, even though I didn’t smoke. I joined a thousand other disciples dressed in a similar way; others preferred to keep the spirit of Ziggy alive. We were united in our love though, and as the bright white lights and crashing rhythms announced the arrival of the Bowie train, we worshipped together at the platform. I’ve never known a rock concert of such intensity.
Then punk and new wave came along, and it all got a bit tricky. My take on it is that put simply, there were two main punk tribes. There were the ‘Oi’ punks and there were the rainbow punks. The former owed a lot to skinhead culture, played thrash music and used to fight a lot. The latter were the offspring of Bowie; lots of art school students and creative young people with more subtlety and originality. I came across some of the pace setters quite early on. The so-called Bromley Contingent including Siouxsie of the Banshees used to go to the disco at the Windsor Safari Park (now Legoland) for the same reason we did – it was one of the very few discos in the country which played music like Bowie and Roxy and not the mind-numbing pop of bands like Brotherhood of Man and Showaddywaddy. Save all your kisses for me. Or not.
So I joined the arty punk tribe, and saw all the bands like the Clash and the Pistols, but still put on the make-up sometimes for the likes of the Banshees or Ultravox! (the pre-Midge Ure version, I hasten to add), and kept up with Bowie, now into his Heroes period. The grainy black and white Berlin aesthetic became the perfect backdrop for the austerity of Thatcher’s Britain. I even started making this sort of music now as well as listening to it, in amazing bands like AWOL, 1936 and Disturbance Term. You haven’t heard of them? No, neither has anyone else. But strutting the stage singing my own songs was the most fun I’ve ever had.
The art school punks morphed into the New Romantics; one of the first ever club events was Bowie Nights at Gossips in Dean Street, we’d gone full circle. Steve Strange did Fade to Grey with Visage, David Bowie sang Ashes to Ashes and both videos looked the same. Steve Strange was even in both of them. The old romantic was just as cred as any of the new ones.
Then both Bowie and the new romantics became more mainstream, groups like Spandau Ballet and Duran Duran becoming mere pop bands, and David Bowie making Let’s Dance, his most commercially successful single and album. I saw him again, performing this and some of his greatest hits on the Serious Moonlight Tour, when it landed at Milton Keynes. That doesn’t sound promising, but he managed to turn the bowl into a suburban Grand Meulnes that balmy July evening; infectious tinkling dance music and thousands of gold and silver moon-shaped balloons choking the dusty sunset.
We ended on a high, me and David, with that concert. After that, I gave up the music and got a proper job, and he did Tin Machine. Not heard it? You don’t want to. Of course he’s done the odd great song since then – like the Buddha of Suburbia and Absolute Beginners, both made for film and TV, and the recent Where Are We Now – but there hasn’t been another album to match Hunky Dory or Young Americans.
Nevertheless, my respect for him kept growing. He may have become mega rich and an A list celebrity, but he never ‘sold out’, as us punks used to say. He set his own moral standards, he kowtowed to no one. In 1983 he asked live in an interview with MTV why they featured hardly any black acts on their burgeoning music channel. Now savvy bloggers would say he used his white privilege to do so, but people listened. And Bowie was a man who turned down not only an OBE but a knighthood. And didn’t make a big deal of it.
No doubt, we’re in a poorer world without him, ashes to ashes. The man who organised his own cremation before anyone could start thinking about his funeral. No one else attended, not even his own family. Dust to dust.
As for the cat, there was no collar, but I took him to the vet, who found a microchip. He was a Bengal, named Blue, and his owner lived round the corner. You could tell Blue had been a character, a big powerful cat even in his box. I left him at the vets, and that was an end to it.
You wish and wish, and wish again
You’ve tried so hard to fly
You’ll never leave your body now
You’ve got to wait to die
Silly Boy Blue, silly Boy Blue
© David Bowie, Silly Boy Blue, 1967

Election Day +5: Thank You

So, that’s that then, and we’re on the brink of a new government being formed – it looks like (despite the efforts of the Tory press) enough people voted Lib Dem to give us influence and temper toxic Tory tendencies.

For my part, I was squeezed in Westminster North but pleased that the winner was a woman with integrity who genuinely cares for her constituents. We tried hard to focus our efforts on getting a council seat – we didn’t manage this but we beat Labour into a distant 3rd and narrowed the gap on the Tories.

I’d like to use my final “Election Day” blog to thank all the members, supporters and voters – and to list some of the tributes to our campaign below:

“Well done on a great campaign (best ever in these parts I think)” – senior party strategist.

“I just wanted to tell you that whatever happens today I think you’ve fought a brilliant campaign” – phone call on polling day from anonymous voter.

“Mark, I really admire the job that you locally and your leader nationally have done” – blog post

“Mark Blackburn made a stonking speech tonight: ‘Let’s no longer pander to the politics of fear’ ” – a fellow LibDem candidate

“Your votes were EXCELLENT. Please keep working over the next four years” – another LibDem candidate

“I am so impressed by your work and energy – and if I lived in Westminster North might even be tempted to vote for you” – a Labour Party supporter

“Awesome!” – a new member

I’m not just posting all this for my own benefit (though it is heartening to read!) but as a tribute to all of you who helped in this campaign. Thank you all. And so that’s it for now – but I’ll be back – whether it’s five months or five years!

Goodbye for now,

Mark

Election Day -42: Climate Change at the sharp end…

Firstly, an admission of failure. I tried really hard to write some kind of blog every day, but the last few days have been even more manic than usual, and I’ve failed. But, some good news – new volunteers ahoy! So I’m sure with their help I’ll catch up.

Back to the subject in hand – climate change. Yesterday, along with other Lib Dem PPCs, I went along to Oxfam London and South East in Victoria and learnt about how they’re dealing with the problem. We focused particularly on their work in Pakistan, and heard from Arhab Shakar who’s been Oxfam’s Programme Officer there for nearly three years. He told us about the effects of floods, cyclones and drought in different areas of the country and how Oxfam are working with local women and men as well as the government and other agencies to reduce risk and mitigate the future impact of such disasters.

I found Shakar’s most powerful example of the scale of the problem to be his figures for the depth of the water table in the drought region of Khuzdar in Balochistan. A few years ago, inhabitants had to drill 20-30 feet to reach the water table. Now they have to drill 100-120 feet. Practical measures Oxfam are taking to remedy this problem includes the provision of water pumps.

The cynic might ask what’s this got to do with canvassing in the residential streets of north west London? Obviously, climate change is a global issue which affects us all, but in our voter surveys more and more people are listing it among their concerns along with the usual very local problems. Linking stories they can identify with, like heavy local flooding and spring coming “eleven days early”, with the life-changing events happening in places like Pakistan, make climate change a universal issue you can talk about on the doorstep. 

Getting into arguments about whether climate change is man-made or not is now just a distraction – the fact is that it’s there and we’re the only ones who can do something about it.